The Saints I Know
If you want to research saints, there are many good sources including wikipedia. The following short writeups are my versions based on what I have heard, read and thought about. Saints are people, whether actually historical people or invented by people who needed them. I apparently need saints in my life also, and these sculptures are my homage to them.
The sculptures and paintings are for sale. To purchase, email which piece you are interested in by clicking here. These pieces are fragile. Shipping will cost extra and depends on the destination.
Sculptures $450 (+$50 for the candle and candle holder)
Paintings $2,800 each
Instagram Saints by Alphabetical Order
Saint Monica and Saint Augustine Before Life Becomes Difficult
70” x 43 1/4”
Acrylic and Oil on Canvas
St. Monica: Patron Saint of Married Women, Difficult Marriages, and Disappointing Children (Algerian, 331-387)
St. Augustine: Patron Saint of Printers, Brewers, and Theologians (Algerian, 354-430)
St. Monica raised three children in what is now Algeria. Her oldest, St. Augustine, left home for Rome and fell into bad company. St. Monica kept close tabs on him because she knew his potential. She made a brave decision to sacrifice her family for him and moved to Rome, extricating him from trouble. After getting him settled, she was on the way from, planning to sail from docks of Ostia Antica. She died at the docks; her son St. Augustine became one of the most noted Catholic scholars and shaped Western philosophy.
This painting portrays the quiet before the drama of life when a child transforms to an adolescent/adult.
70” x 43 1/4”
Acrylic on Canvas
Patron Saint of those in Need of Courage (French, 1412-1431)
My painting shows Joan of Arc old, walking in her village garden, wary of attack from the many enemies she made when she saved France. Going home is now always peaceful.
Joan of Arc inspired me from the time I read her story as a seven year old. As a seventeen year old in her French village, Joan of Arc listened to Saints Michael the Archangel, Catherine of Alexandria, and Margaret tell her to save France from the English during the 100 years war. She did and is the reason France is France. Her story is complicated but she is brave. The Catholic Church finally declared her a saint in 1920. I often think about that time lag. Interestingly, the only existing item of hers is her helmet in a museum in Orléans, France.
If St. Joan of Arc had Lived
St. Thomas Aquinas and St. Albert the Great Debating
52” x 70”
Acrylic on Canvas
St. Albert the Great: Patron Saint of Natural Science (Italian, 1225-1274)
St. Thomas Aquinas: Patron Saint of Knowledge, Universities, and Scholars (German, 1200-1286)
St. Albert taught St. Thomas natural sciences among other scientific subjects. They engaged in a lifelong intellectual debate. St. Thomas wrote about St. Albert later in life. I place theses two as more than teacher and student but as friends in a study enjoying the company.
Santa Lucia Looking into the Future
70” x 43 1/4”
Acrylic on Canvas
Patron Saint of the Blind (Italian, 282-303)
This painting is about looking into the future. Dogs perceive what is coming well before we do. They see into the future. I set Santa Lucia in a garden, emphasizing the sense of smell versus sight.
St. Hubert Saves the Forest - SOLD
70” x 43 1/4”
Acrylic on Canvas
Patron Saint of Firefighters and Torture Victims (Italian, 63-118)
The original St. Hubert saw a stag with a crucifix between its antlers in the forest and immediately converted. My St. Hubert saves the forest for the stag while surrounded by death. I am impressed by wildland firefighters’ sacrifice of a personal life, living in death, grime, sweat and discomfort. I had not thought about firefighters killing dying animals in a fire to save the animal from more suffering.
About The Saints I Know
I like looking at people and thinking about what makes them tick.
By looking past the arrangement of eyes, nose, mouth and ears, I can connect with the person and convert them into a portrait. In working with the textures of paint on surfaces or clay for a ceramic sculpture, I hope to show a different version of each person.
To visually express my idea that saints live among us, I transform people into saints. I identify the saint in each piece by the title and by using that saint’s specific symbolism. In this exhibit, I use two organizing structures for my saints: Instagram and realistic painted portraits. In using Instagram, a common social media application, the ceramic sculpture or plaque comments on how people choose to represent themselves in the best possible, most ideal image just as how I choose to represent people as idealized versions of themselves, saints. The paintings emphasize the humanity of the saint in realistic settings.
The Instagram plaque references how social media has invidiously crept into our lives, creating a permanent record of our material life turned into code. A single user can make their own myth, creating an altered perception of their own life. The “permanence” of Instagram on the internet and as fired ceramic pieces reminds me of the tomb monuments of the late Middle Ages of Western Europe where, with enough money, a person created their own version of their life in stone while reminding the viewer of the transience of life. Instagram levels the ability of people to create their own vision of themselves. Anyone with a smart phone can have an Instagram version of themselves which is as permanent in its way as a tomb monument.
By making portraits of relatively anonymous people and pairing them with saints that fit their personalities or the good deeds that they have done, I am replicating the ideas of the early Christian saints who became beatified by ordinary people. How people represent themselves fascinates me: whether it is in an Instagram posting or as a stone tomb monument or a commissioned portrait.
Introduction to the Ceramic Sculptures:
This show is possible due to all who agreed to let me cast their faces. I am grateful for their trust. Many have written down their experiences in being cast; I have incorporated the writings in a book which is on display.Each sculpture is approximately 13 x 9.6 inches and varies in depth from approximately 3 to 6 inches. The plaques are high fire earthenware with red and white terra sigillata, stains, underglazes, glazes, gold and silver lusters. The candle holder is steel with an artificial candle.
Sculptures and paintings are for sale. To purchase,click here. I haven’t figured out shipping yet. These pieces are fragile. Shipping will cost extra.
Sculptures $450 (+$50 for the candle and candle holder)
Paintings $2,800
The Face Casting Process
I have cast 44 faces of friends, family, and strangers that have become friends. First is a silicone layer to mold to the face, then a plaster casting over this. Once these pieces have dried, a slab of clay is pushed into the cast. Once removed from the cast, the faces gets hand detailing work, and get added to the base piece of clay, which is then adorned with details that pertain to each saint. Each sculpture is fired three times before they are complete.